![]() ![]() Oh, come on, like we weren’t going to start the list with this. (These touchy subjects are so much easier to bring up when there are guns around, apparently.) And, every once in a while, these guys even find time to solve the occasional case or save the day. Also what becomes readily apparent is that, by and large, the buddy-cop film has been a way for characters - mostly men - to discuss their issues, whether it be masculinity or race or class. Looking over this list, you’ll see a healthy dose of Shane Black, Jackie Chan, and Michael Bay - as well as several comedies that lovingly spoof the very tenets of the genre. ![]() Hey, they never really do end up buddies in that movie.) Last, dogs totally count as cops. (It was a controversial decision, but we ultimately chose not to consider Training Day, which is like the dark underside of the buddy-cop film. But only Robert De Niro’s character is a cop, so we’re not including it.) Also, we elected to focus only on films in which the cops eventually do bond. ( Midnight Run sometimes shows up on lists like this. For one thing, in order to qualify, the movie’s two main characters have to be involved in law enforcement - or, as in Kiss Kiss Bang Bang, at least pretending to be. ![]() First, though, we had to establish some ground rules. Will they eventually come to admire one another? Sure seems likely.Īs that Fast and Furious spinoff hits theaters this weekend, we decided to go back and rank the 25 best buddy-cop films. Will they start out hating each other’s guts? Certainly. The latest addition to this most macho of subgenres is Hobbs & Shaw, in which two rivals - Dwayne Johnson’s federal agent and Jason Statham’s assassin - are forced to team up. Buddy cops don’t kiss, but maybe they’ll high-five. Okay, sure, maybe that last line isn’t actually spoken in many buddy-cop movies, but it’s implied - these films’ mismatched partners traditionally forge a platonic bond, putting aside their grievances to develop a begrudging mutual respect. Much like the romantic comedy, the buddy-cop film follows a familiar emotional trajectory: I can’t stand you … I hate that I have to be around you … Well, maybe you’re not so bad … Hey, we actually have a lot in common … You know what, deep down, maybe we’re not so different … Wow, I think I love you. Photo-Illustration: Maya Robinson/Vulture and Photo by New Line Cinema Contact us today to find out more.Jackie Chan and Chris Tucker in Rush Hour. We provide our partners with valuable TV know-how to help them drive better and more PST using television demand data from Parrot Analytics for Buddi in School), using our globally standardized Demand Expressions® metric. Spain, which can then be benchmarked against genre averages (e.g. Once all the signals are weighted and combined, the audience demand for Buddi, for example, can be assessed for a market e.g. Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required the more importance is attached to each signal. Parrot Analytics' television demand data highlights the global TV content monetization opportunities for Netflix and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in Spain, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most. Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. Global TV content analytics for the attention economy ![]()
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